Kristophen  
    Kristophen or, as everyone called him (much to his annoyance), Krissy also comes from the D'Cotta System (see Christopher's bio), but from the Southern Hemisphere where the most mainstream companies operate. Kristophen's duties as Art Director mainly involved set design and image/media editing, forcing him to work closely with Head of Lighting James Parkin. Kris and James didn't have anything against each other but the difference in height was often an impediment (Kristophen was about 25 times the height of James). Because of Kristophen's impressive height he doubled up as head of technical operations, removing the need for crews of technicians with cranes and ladders and the like, as Kristophen could raise a spanner anywhere.
 
 
Kristophen: Art Director and Consultant [D'Cotta Interests (Northern Hemisphere)]


  
    Kristophen was a moody son of a bitch who could often be found arguing the toss over the most mundane of matters with Rob Renner. Rob, as Director, wasn't taking any shit from anyone, not even giant 3-armed blue bastards that could snap his head off as easily as fart. Much of this was due to Krissy getting pissy at being called Krissy and the feeling that he was being turned into a general handyman, insulting his artistic qualities. Fuck him. He was far more technically minded than artistically - he did a superb job keeping everything together and working on such a low budget. Despite all this, Kristophen's next project sees him taking the role of technical consultant on the 5T remake of the 'DRS Tremendous' tragedy.
 
Side view of Kris
    Nevertheless Kris had a wicked sense of humour and could be a laugh when he wasn't acting like an arsehole. He always kept the Scout Walker models cheery on set, not just because they were of a similar size but because Kristophen would often have to help manoeuvre them into sexual poses before reversing sharply backwards so a shot could be taken, before roving back in to support them again. When you have to literally handle people vulnerable and in the buff you tend to make their acquaintance pretty quick.

    It should also be noted that Kris was responsible for bringing a lot of sponsorship to the project from his D'Cotta contacts - in fact Kris probably had the most enthusiasm for the project both on and off set, but that could be because he managed to wangle a share deal along with his wage packet, the sneaky sod.